Pierrot in Criminal Court

Cleveland Museum of Art

Pierrot in Criminal Court

Thomas CoutureLinkedCulture matchlcp-dd480a1c3078

Date
c. 1864–70
Medium
oil on wood panel
Culture
France, 19th century
Department
Modern European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
150037

From the Cleveland Museum of Art record

In this painting, Couture used two famous masked characters, Pierrot and Harlequin, to satirize and critique the public and the judicial system of the 19th century. The pathetic Pierrot represents a lower-class fool on trial for stealing food from a restaurant. The stolen items are depicted lying on the courtroom floor as an indictment of his guilt. His accusers sit on the left, while Harlequin, his lawyer, argues theatrically for the defense. The artist's contempt for the legal profession and the court system is plain in the figures of the sleeping judges. A mid-19th-century observer may have sympathized with Pierrot, who for his own survival cunningly subverts authority in order to satisfy his needs.

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Provenance & credit

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Credit line
Bequest of Noah L. Butkin
Provenance
Jay Gould. J. Rougeron, New York, NY | Arthur Tooth & Sons, London, United Kingdom | A. Saloman | December 3, 1976: (Christie's, London, December 3, 1976, lot 105) | by 1977–1980: Mr. and Mrs. Noah L. Butkin, Cleveland, OH bequeathed to the Cleveland Museum of Art | 1980–: The Cleveland Museum of Art, Cleveland, OH

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