Expulsion of Adam and Eve

Cleveland Museum of Art

Expulsion of Adam and Eve

John FaedLinkedCulture matchlcp-026a49b62bc2

Date
1880s
Medium
oil on fabric
Culture
Scotland
Department
Modern European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
150046

From the Cleveland Museum of Art record

John Milton's epic poem Paradise Lost (1667) was the principal literary source for John Faed's depiction of the expulsion of Adam and Eve. The archangel Michael directs the couple away from the lush gardens and heavenly radiance of Eden, while Satan in the form of a snake appears in the right foreground. In most representations of the subject, Michael guards the gates of Paradise with a fiery sword, as prescribed in both Genesis and Paradise Lost . Faed, on the other hand, has him brandishing a compass, an instrument traditionally employed by God the Father in his act of creating the world. A renewed interest in religious art in mid-19th-century Britain led John Faed to visit Palestine in 1857.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.bvwVbWhDPvzJEgE9.MP-EUZb6jTSyM5uOh863pfNAaU-wtKprwTfIttMDzYzLUbG1e9RUl1jD7cLIi4npUCWr0Uaqnm-d5Fdv4DN6EzYxsRs0B3OPfjRLPVbwlS2X0lJOb-bGxlNUTAbWxNo8n5aootV2Qt_5NigoO3yhJIIflZAoUZBIPnPpvKW5GxirMzUa6Tcnq7nlkvXjjmfrpjNmxsw4teCyBtkzDcocWJDPluzV2gUBNmd4EWLHfK6aA1Ydi2c0DaXNukQ88yOdG-fHshF0VQlepctGJ6b_08o_4vBLqS7rI06fDn209Aq2G9nT1gSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.XnfpdtSxsQyFERF4.mmbzDu2bPJl_Y0IKVH0UweCa772vArGBMLWqGZvziuYwvd1ClDc14zzU9NlVpGDicEZfiiEte8xocrlCcQT7ZVhRgTmDhtOfAPnoPmrf0mJvN2RadvuErkID4w8l2_FpcbXexeXou-NYJjR9cJwS_T1ivHy_0_qiltKrGENsyQMpyf53m6nBiuDTGtrXL3nYo_7svtImicgTvxAtOqkxMdGEtkWqnoO-FLwGJkTs3ymp94mFSaal-rYek69m_MjPsTNGJax-pBW0B9OMTmviv6vh-by1MSaXtQamYv9nNQ
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Bequest of Noah L. Butkin
Provenance
Until 1967: Private collector, consigned to Sotheby’s | 1967: (Sale, Sotheby’s, London, Jan. 11, 1967, lot 6, sold to the Fine Art Society, Ltd.) | 1967: (Fine Art Society, Ltd., London, sold to R. John Rickett) | 1967-1970: R. John Rickett [1930-1970], London, to his wife, Mrs. John Rickett | 1970-1975: Mrs. John Rickett, consigned to Sotheby’s Belgravia | 1975: (Sale, Sotheby's Belgravia, London, Nov. 11, 1975, lot 87) | c. 1975-1976: (Barry Friedman, Ltd., New York, sold to Shepherd Gallery) | Until February 1977: (Shepherd Gallery, New York, sold to Noah L. and Muriel S. Butkin) | 1977-1980: Noah L. and Muriel S. Butkin, Cleveland, OH, bequeathed to the Cleveland Museum of Art as a result of disclaimer by Muriel S. Butkin | 1980-: The Cleveland Museum of Art, Cleveland, Ohio

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.