The Idolatry of Solomon

Cleveland Museum of Art

The Idolatry of Solomon

Pietro da CortonaLinkedCulture matchlcp-3510a6c192f7

Date
1622–23
Medium
Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink
Culture
Italy, 17th century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
153612

From the Cleveland Museum of Art record

Pietro da Cortona was one of the most successful and active fresco painters in Rome in the mid-1600s. This drawing is a preparatory sheet—highly worked-up with many different mediums—for one of the artist's six frescoes portraying the story of Solomon commissioned by the Roman nobleman Asdrubale Mattei (1556-1638) for the gallery of his Palazzo Mattei di Giove. Reflecting the artist's as well as his patron's interest in classical antiquity, Cortona combined a classical relief-like composition with specific references to Roman objects and architectural elements in the composition. The subject represents a foolish episode from Solomon's life, when he was lured into the worship of idols by the "foreign" women with whom he kept company. Pietro da Cortona completed this drawing and the six frescoes related to it for a prominent patron and palazzo in Rome when he was just 27 years old.

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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
ca. 1900: Capitaine C. Prayer (1826-1900), Milan (Lugt 2044) | ca. 1900: de Bernasconi family, Buenas Aires | ?-1987: by descent to Marià Elvira Celia Méndez de Bernasconi (1927-2005), Buenos Aires (Lugt 5374) | 1987: Christie's London, 1 April 1987, no. 66. | 1987: with Kate Ganz, Ltd, London | 1987-: The Cleveland Museum of Art, Cleveland, OH

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