The Meeting of Orestes and Hermione

Cleveland Museum of Art

The Meeting of Orestes and Hermione

Anne-Louis Girodet de Roucy-TriosonLinkedCulture matchlcp-1b1593648edc

Date
c. 1800
Medium
pen and brown and black ink, point of brush and brown and gray wash, with black chalk and graphite, heightened with white gouache, on cream wove paper
Culture
France, early 19th Century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
154305

From the Cleveland Museum of Art record

When the French painter Jacques-Louis David was approached to work on a new edition of Jean Racine’s plays, he passed the task to his pupil Girodet, who excelled at illustrating literature. This highly refined drawing depicts a scene from Racine’s Andromaque, a complicated story of unrequited love and political treachery. Cléone introduces the love-blind Orestes to Hermione, who exploits his affection to make him do her bidding. Girodet skillfully contrasts Orestes’s eagerness and Hermione’s calculating character. With folded arms, she turns away, as if a statue between the columns of a cool marble interior. Yet Hermione’s sly, backward glance alerts the viewer of her cunning manipulation, which eventually drives Orestes mad. The leg of the table behind Hermione has the form of a siren, a dangerous mythological creature that destroys anyone who hears its song.

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Provenance & credit

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Credit line
Leonard C. Hanna Jr. Fund
Provenance
?-?: Pierre Didot l’Ainé [1760–1853], Paris, given with other drawings in vellum edition to his brother, Firmin Didot | ?-1810: Firmin Didot [1764–1836], Paris | 1810: (his sale, De Bure, Paris, 1810, no. 679 [withdrawn from sale]) | 1810-by 1947: Didot family collection, Paris | ?-1989: Frederick J. Cummings [1933–1990], New York | 1989: (W. M. Brady & Co. Inc., New York, sold to the Cleveland Museum of Art) | 1989-: Cleveland Museum of Art, Cleveland, OH

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