Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746

Cleveland Museum of Art

Funeral for Marie-Thérèse of Spain, Dauphine of France, in the Church of Nôtre Dame, Paris, on November 24, 1746

Charles-Nicolas CochinLinkedCulture matchlcp-71f788d4b2e2

Date
c. 1746
Medium
Pen and black ink and gray wash heightened with white gouache on cream laid paper, incised (with graphite) for transfer
Culture
France, 18th century
Department
Drawings
Institution
Cleveland Museum of Art
Object ID
161634

From the Cleveland Museum of Art record

As an official draftsman to the king, Charles-Nicolas Cochin was responsible for documenting royal events, festivities, and ceremonies. When the Spanish princess Marie-Thérèse, wife of Louis XV’s eldest son, died in childbirth, she was given two lavish funerals: one at the Church of Saint Denis, and another, represented in this drawing, at Notre Dame in Paris. Cochin’s drawing shows how the interior of the gothic cathedral was theatrically redecorated in the current rococo style. Beneath the majestic canopy in the center of the nave, an ornate arched structure, a baldequin, contains the princess’s coffin. Charles-Nicolas Cochin worked closely with the branch of the royal household charged with organizing and presenting royal ceremonies to produce prints such as the one related to this drawing.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.a2kBtasxLo9HEU4c.kdjwc9SvV5yXzdNpRzGbvHxj6Bo5iGHAas0W0uy4sqwOuJIqCu0Mc3tszlL3xyf9ibIOI1xEDoLO6-eW4EnmkUSaOWNq5iv0drPoIMi0tkYpBjCvAJmP_qRt3PqW3WHwJjzEqWh-U0GylMagwDi4LJ7ZIH2mWXHlRVEErhOBpbYuHj0qSW5Pp2g9DtY1_4sHkCTcKWjLlJCNGiFTcB_52TtA4GvGexoagDh9JU9Ji6VrPERoScMGLYbt8IY-AxH9xK0H8Pb-UlrzJNhezi-K8-C39cTRdRi6xzzzpar4eyBaz4dJqwSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.zGFlP3CWt_YUrF-L.FWOxL9RERybyLIKCp4JeAtTV1bOBCwOmKEbfkbOQ7g9sHwSLqjLGYgoR5hSXueZl7IGoSI2XuU1vU2OodmDjuV1CKB6bWDRKMyNAKzAi2-z7QfLc2yh4IkAFQkHaJsXlCkKk74LjwrJD93zVbbk6Wrixx7A7iRuW7yyE2HUCrmouEYcpFrSHOoxrYIeq0Rq2fPa55RCTGx1KRBYKkpF78TpWmQLaHLryOf_Nw4xub9Z91hbOD1oTBHrrG6sU8rupnlq1hczSG1NmsoRtal_EP9jRZTBwvgkwvIek9n4
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
John L. Severance Fund
Provenance
?-?: Private Collection, France | ?-2000: (Didier Aaron, Inc., New York, NY, sold to the Cleveland Museum of Art) | 2000-: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.