The Flowering of Joseph’s Rod (folio 11 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Cleveland Museum of Art

The Flowering of Joseph’s Rod (folio 11 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier

Date
1602–04
Medium
Gum tempera, ink, and gold on paper
Culture
Mughal India, Allahabad, made for Prince Salim (1569–1627)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
163647

From the Cleveland Museum of Art record

Joseph kneels outside the temple, among, according to the text, a group of unmarried men. The artist has depicted them dressed like contemporary Portuguese merchants wearing button-down belted shirts. The men had been ordered by God to bring their staffs to the temple; the one whose staff blossoms would become the husband of Mary. Joseph quivers with astonishment as his staff blooms; his hat falls to the ground as though it suddenly came off his head in surprise. Father Jerome’s source for this episode was the apocryphal Gospel of Pseudo-Matthew. The suitors in this scene are dressed as contemporary Portuguese men, but have followed the Muslim practice of removing their shoes while in the temple.

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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
before 1930s–2005: An Indian family in Great Britain, whose grandfather brought the manuscript to England in the 1930s or 1940s | 2005: (Oliver Forge and Brendan Lynch Ltd., London, England, sold to the Cleveland Museum of Art) | 2005–: The Cleveland Museum of Art, Cleveland, OH

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