
Cleveland Museum of Art
Aristomenes Mourning the Death of Socrates from the Bewitchment of Meroë (from Book 1 of Apuleius, "The Golden Ass")
Antoine-Denis ChaudetLinkedCulture matchlcp-9e3b3d97cb4d
- Date
- 1795
- Medium
- brush and black and gray wash, heightened with white gouache, over graphite
- Culture
- France, 18th century
- Department
- Drawings
- Institution
- Cleveland Museum of Art
- Object ID
- 166657
From the Cleveland Museum of Art record
This scene represents the end of a complex episode from the Roman writer Apuleius's (2nd century ad) story The Golden Ass. Aristomenes narrates a tale to the book's main character, Lucius, about a friend named Socrates, whom he meets during his travels. After a disastrous affair with a witch named Meroë, Socrates dies from a wound she inflicts to his throat, and the scene shown here is the moment just after his death. Chaudet is mainly known as a sculptor, but he also designed a number of book illustrations for the most important publisher of the neoclassic period, the Didot firm. Although we know he did a number of drawings for The Golden Ass, the project was never realized as a book.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Bequest of Muriel Butkin
- Provenance
- Probably Marie Joseph François Mahérault; [probably his sale, Hôtel Drouot, Paris (27-29 May 1880), 9, as part of lot no. 19: "Dix dessins pour illustrer l'Ane d'or d'Apulée. Ces dessins sont d'une remarquable finesse. Signés et datés 1795. Sépia et encre de Chine rehaussées de blanc."]. "A late nineteenth-century French collection" (according to Baskett and Day, London). [Galerie Jacques Fischer-Chantal Kiener, Paris]; purchased in 1986.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.