Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

Cleveland Museum of Art

Zulaykha in her palace and as an elderly woman with Joseph (recto), from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414–1492)

MushfiqLinkedCulture matchlcp-6d7df6a65a0d

Date
1603–7
Medium
Gum tempera, ink, and gold on paper
Culture
Western Afghanistan, Herat (text); Mughal India (paintings)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
170819

From the Cleveland Museum of Art record

The golden pot of white narcissus flowers at the bottom center of the painting signals that Zulaykha, leaning on her staff to the left, will imminently have her youth and beauty restored. In this Persian retelling of the Old Testament account from the Bible, Zulaykha lusted after Joseph, even though she was already married to Potiphar. Joseph, with the golden halo, resisted her advances until she became a widow and retained his youth, because of his extreme virtue. Above, Zulaykha as a young woman waits for Joseph in her house where murals of them as a happy couple are painted on the walls. Zulaykha is shown four times: twice in the murals, seated in the center, and below when she is much older.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.-AKAO70zYJbn9WTt.m9fu5MQBxCRBGY-kQ72ByTVJRrrwM2CMjLDSYDtQuIUWQyV7Rfdsky0eaPoBxcNbhTDeRH-XyT9Ui4BYnKZg4LwoVYXs1CKJJNNeA5hZ4lP6bxHUwmMFsEEfzhizgv4k9CIR8GmvH24D1LeF8Blc8n5m2SmNYK_nX33HtP0j1k_PqR-2CnTTMWxpgxlji8rTs4kg93KsAdS9DwvQt_lBmuJtkpEcWv_3n6krmLWB7i0aqHMKpzZg1HT8IYdvBYr9H_vPp_0x80wNrM6GYf2zGdUsAx1_9MpfTXvsUmEK6PqJ9_cJ4gSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.67bb1obiJiXxbWSx.Oz3Wzs4jbDgCb-FeiW8e5iQuRqQuAfRsdSIEfA5P48LVLkpxUOkd70LZ86_ZJOzl_DG5SORcpSXmxb2mFa06OpJbgktvoSK7ePB5IL9rMsgALWHQqj2tf-7IH3k6IfLZx6EHvyHLxQjEW7WthIEEsZUll7LOZLP-jyeRiDM24c6wgs1Sr2xYTc41lt6moVJYMNmf6l09_CSFN0qomvQY3Lz_eeLGrQmNNhzTpvRVXpVXYTf-W40sg9AyO2zrc0U85xCtnqBFY3YXModxyL80u_Q-XhTy5v27lmsYjwwqERfflps
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
Provenance
before 1923: Georges Demotte [1877–1923], Paris, France, and New York, NY | 1940s: French private collection | October 18, 1994: (Christie's, London, England, Islamic Art, Indian Miniatures, October 18, 1994 sale, lot 9) | 1994–2013: Catherine Glynn Benkaim and Ralph Benkaim Collection | 2013-: The Cleveland Museum of Art, Cleveland, OH

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.