
Getty Museum
Studies of a Statuette of Atlas (recto); Studies of a Statuette of Atlas and a Figure Praying (verso)
Creator
Jacopo Tintoretto (Jacopo Robusti)Italian Artist · 1518–1519
All works by this person →Jacopo Tintoretto was nicknamed "little dyer" for his father's humble occupation of *tintore,* a dyer, and *il Furioso* for his violent application of paint. When Venetian dignitaries observing him asked why he worked much faster than others, the artist quipped, "Because they haven't got so many pests around to drive them crazy." Tintoretto's early training is unknown. Legend claims that an enviou
More on Getty ULAN- Date
- mid-1570s–1580s
- Medium
- Charcoal over black chalk with traces of white chalk (recto); charcoal over black chalk with traces of white chalk (verso), on blue paper (now discolored)
- Culture
- Italian
- Department
- Drawings
- Institution
- Getty Museum
- Object ID
- 07b9a811-3991-48b4-90b4-d0b008a27894
From the Getty Museum record
Jacopo Tintoretto covered both the recto and verso of this sheet with four animated copies of the same bronze statuette of Atlas. Each sketch shows Atlas from the same tilted angle, in a contrapposto stance with his right foot slightly raised and his head twisted to look under his bent left arm. Each figure sits at a sharp diagonal angle, as though it had been twisted and compressed within the confines of the page and was trying to break free. Atlas's contorted position increases the overall sense of energy and muscular strength. Although each figure's position remains nearly the same, Tintoretto subtly varied the surface shading throughout. Delicate lines of parallel hatching emphasize the rippling, bumpy muscles that cover Atlas's arms, legs, and chest. Tintoretto and his workshop made at least fifteen drawings based on the statuette. The stock figure appears in a number of his paintings.
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