Solon before Croesus

Getty Museum

Solon before Croesus

Creator

Nikolaus Knüpfer

Dutch Artist · 1603–1655

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Almost everything known of Nikolaus Knüpfer's life is based on an inscription on a single engraved portrait dated 1642. After initial training in Leipzig and elsewhere, in 1630 Knüpfer moved to Utrecht, where he studied with Mannerist painter Abraham Bloemaert. Aside from a possible trip to The Hague in the late 1640s, Knüpfer remained in Utrecht. In 1637 he joined the Guild of Saint Luke, married

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Date
about 1650–1652
Medium
Oil on panel
Culture
Dutch
Department
Paintings
Institution
Getty Museum
Object ID
184245a3-c262-46c1-b3d7-141ad31f1dbd

From the Getty Museum record

The sage Solon stands in the foreground at the base of the stairs leading to the dais. His humble dress, long beard, and admonishing gesture contrasts with the extravagantly dressed figure of the king who points dramatically at the riches before him. In this moralizing scene from Greek legend, the wealthy King Croesus calls an audience with Solon, an Athenian lawmaker and philosopher. After proudly displaying his immense wealth, the king asks Solon to name the happiest man he has ever met. Solon does not name Croesus, instead responding that he could call no man happy until his life was so judged at its end and that humble people were often more content than the wealthiest kings. This moralistic tale, extremely popular in 1600s Holland, reflected the culture's ambivalent attitudes toward wealth and consumption. Nikolaus Knüpfer used light to draw attention to the confrontation between the two figures. King Croesus and his queen are bathed in a bright light that illuminates their exquisite finery, the white satin and gold tablecloth, and the succulent delicacies and gold wares on the table. Light also falls upon the solitary figure of Solon, accentuating his isolated position below in the stage-like setting. This composition's carefully planned design and lighting reveal Knüpfer's interest in contemporary Dutch theater.

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