Stained Glass Design with Two Coats of Arms (recto); Study of a Helm (verso)

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Stained Glass Design with Two Coats of Arms (recto); Study of a Helm (verso)

Creator

Hans Jacob Plepp

Swiss Artist · 1557–1597

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Hans Jacob Plepp may have trained in Bern with the leading designers of stained glass, Daniel Lindtmayer and Tobias Stimmer; his earliest drawings, dating from 1578, show both their influences. Around 1579 Plepp moved to Basel, where he gained citizenship two years later and subsequently joined the artists' guild. He may also have been active in Zurich around 1592. The following year he resettled

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Date
about 1590–1595
Medium
Pen and black and brown ink and gray wash over black chalk
Culture
Swiss
Department
Drawings
Institution
Getty Museum
Object ID
4f42cfeb-459e-4a08-bcb0-430542e3adfa

From the Getty Museum record

When a local governor commissioned a stained-glass window for his church, he chose Hans Jacob Plepp to create a design for it. Plepp drew this drawing to communicate his ideas to the glass painter, who would produce the final version. As so many areas have been left empty, this drawing seems to be a preliminary study. The words *Fides* (faith) and *Spes* (hope), inscribed in black spaces in the lower left and right corners, suggest that Plepp intended to place personifications of these virtues in these areas. On the more finished left side of the drawing, the horse and scrolling leafy branches burst with vitality, though seen in sculptural rather than fleshy terms. The supple line work and the bold application of wash indicating shadows carry through the impression of stone rather than living tissue. On the right, in contrast, Plepp merely outlined the symmetrical elements and summarily filled them in. The small notations in the coat of arms suggest colors for the glass artist.

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