Jupiter

Getty Museum

Jupiter

Creator

Michel Anguier

French Artist · 1612–1614

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Until he was almost forty, Michel Anguier's career was intertwined with that of his older brother, François. After some training in Normandy, the fifteen-year-old Michel followed François to Paris, where they worked in a sculptor's workshop. Thirteen years later, they went to Rome. François left after two years, but Michel stayed eight more, studying ancient sculpture and authors and absorbing a c

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Date
probably cast late 17th century (from a model of 1652)
Medium
Bronze
Culture
French
Department
Sculpture
Institution
Getty Museum
Object ID
6525e0a4-a8fb-4adf-a132-ba286a404fe5

From the Getty Museum record

Despite this statuette's small size, Jupiter, the supreme Roman god and ruler of Olympus, stands powerful and tall, ready to hurl his punishing thunderbolts. As he raises his arm, his toga falls, revealing clearly defined musculature on his chest and protruding veins on his arms. At his side stands an eagle, the attribute that identifies the god. Based on several well-known antique sculptures, the figure conforms to the *thundering Jupiter* type. The artist has chosen to depict him just before he releases his fatal thunderbolts onto wrongdoers: the anticipation of his raised right arm adds tension to the stable figure. *Jupiter* may have belonged to a group of figures of Roman gods and goddesses that was designed by the sculptor Michel Anguier for display in an aristocratic home. While multiple casts of the other figures survive, this statuette appears to be the only known cast of the figure of Jupiter. The figure's dramatic gesture, intense focus, and powerful body correspond to the Roman Baroque style popular in seventeenth-century France. The classical theme and the statue's relationship to antique works would also have appealed to aristocratic French patrons.

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Open this page QR destination: https://linkedculture.org/q/q1.4D5szQR283Xx_UrB.6E6YF9cjkvr91l59gFJ6hV73pGvvKsYJQPaKr9joVnIeKs5BfX27WIaZwphmdf6JfIEGwkbryPOH474MpvhYFMwwKIPbTIixwHM6ST2iIdbtLOQCNtJtjS2eCcLzz5vBLiDGTtbzwTVb-usWruiGJXKhTsyGGKdYT0GGmfT3wITNvNbA5JnpSChrNLKuAVYexuHrXtsDlQUT4XzYFRtVShsEvuzWwTb8AXtGHiMHmbtlqk0FoDgrdDaMtcZLC1WKznj6v3ZtBWNIKYkGB3PEm7vmoRw_D6sPNUJs5JnJ0w73CgeroQTaH1VOSsUsLfp-B3HlzW3Vrik0W7GlP5Hn1czURPCeBoSaxZZpFRCUsvUf5WS8fjzoLmnNYI7sT7eXQ4PZDsDCW8jd8YU_2vhnSee at Getty Museum QR destination: https://linkedculture.org/q/q1.Nwvai9OMQwcKAF7m.P25Ymrv3NJq5tB7Im3XB-5m9wL0MNPm2-Tk8I-ZbnodHHRiaLktBJC26W5yYsEcp-Kw8i0pVY7Mhl1KLWgSRcFfW3QuaDT3WpnesE7bQJCO8uzh_PRVWfuBRp1ZqX-Z15PkJhXZKqQ_UyptiQ8fpsoTSyxowcCVBXxqmNxPLPLad9Xr1-Wl5NyLUHkE25Arqtwf2_QHOL7QmioWZMRdNF4jx8KvfIdMbt4Q60-XNQNCriqU7n0W4DsecBlNQSIq70rGbnrZqvC9QsbHXKlEUn8fESnhksZMIKQBdpuDjMovnmnfB4Jgf-bpmAzVXqILMFGuNkMrJR0whD_LhQjxZo4ASpDTmEFcJf3TVsweOlW2UU_vAaoklzu1RsYg
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