Vieille Cour, 22 rue Quincampoix

From the Getty Museum record

> This bleak view documents the commercial use by the urban working class of cramped public or quasi-public spaces. In this photograph, in what was originally the private courtyard of a sixteenth-century house, a small enterprise that advertised that ironing was done "most amiably" shares the alley with several apartments, evidenced by the rags hung out to dry, the baskets on pegs, the houseplants on windowsills, and the two figures in the central window. It is a measure of the gloom in this space that during the long exposure that it took to record details of the courtyard, the comparative brilliance of the sunlight in the street outside caused the view through the rectangular portal to be overexposed. To leave by that doorway was to exit into a larger, brighter world. This picture and two others by Eugène Atget (see [84.XM.1034.5](https://www.getty.edu/art/collection/objects/55719/eugene-atget-rue-de-la-reynie-tinsmith's-shop-rue-de-la-reynie-french-1912/) and [90.XM.64.133](https://www.getty.edu/art/collection/objects/63568/eugene-atget-entree-du-passage-de-la-reunion-1-et-3-rue-du-maure-3-arrondissement-french-1911/)) are not only documents of specific urban spaces but also poignant studies of the differing textures of battered and abraded stone, dented and scarred metal, and light reflecting from dull surfaces. > > Adapted from *Eugène Atget*, In Focus: Photographs from the J. Paul Getty Museum by Gordon Baldwin (Los Angeles: J. Paul Getty Museum, 2000), 50. ©2000, J. Paul Getty Trust.