
Getty Museum
The Holy Trinity Enthroned
Creator
Master of James IV of ScotlandFlemish Illuminator · 1465–1541
All works by this person →Named for a remarkable portrait of the monarch James IV of Scotland in a devotional manuscript, the Master of James IV of Scotland was one of the finest Flemish illuminators active in the years around 1500. Over a period of more than forty years, the artist contributed to some of the most lavish and important manuscripts of the era, in addition to directing an active workshop. The illuminator's mi
More on Getty ULAN- Date
- about 1510–1520
- Medium
- Tempera colors, gold, and ink
- Culture
- Flemish
- Department
- Manuscripts
- Institution
- Getty Museum
- Object ID
- b33fb730-d6f2-4a98-96ae-5dd8a04d7e5e
From the Getty Museum record
The Master of James IV of Scotland visualized the complex Christian doctrine of the Trinity as three crowned figures seated on a throne that hovers in a glowing heavenly light. Each of the three figures is distinct from the waist up but they share one robe, signifying the Christian belief that the Trinity consists of three persons and one substance. In the ethereal space around the throne, transparent angels sing *sanctus* (Holy). During Church services in the hymn of adoration, *sanctus* is sung three times, once for each person of the Trinity. The artist delighted in plays of illusionism. The image's painted frame resembles a carved wooden frame of an altarpiece, suggesting an analogy between an altarpiece and the book. Three lines of text are written on an illusionistically painted slip of parchment, "pinned" to the page of the book to make it appear like a separate piece of parchment. A rubric in red identifies the following text as the prayer for Matins of the Hours of the Holy Trinity, to be read on Sunday. The text, in black ink, begins with a line from Psalm 50: *Domine* *labia mea aperies* (Lord, open my lips).
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