Portrait of José Nicolás de Azara, Marquis of Nibbiano

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Portrait of José Nicolás de Azara, Marquis of Nibbiano

Creator

Anton Raphael Mengs

German Artist · 1728–1779

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Like many artists during the 1700s, Anton Raphael Mengs developed his masterful painting skills by studying works from antiquity, the Renaissance, and the Baroque, all of which he encountered while in Italy. Mengs began to study art seriously at the age of twelve, when he accompanied his father on a trip to Rome. He remained there for four years making drawings, and then returned to Dresden where

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Date
after 1774
Medium
Oil on canvas
Culture
German
Department
Paintings
Institution
Getty Museum
Object ID
b856d28e-e76a-4b46-b570-ec3be93090c9

From the Getty Museum record

The portrait depicts the Spanish diplomat José Nicolás de Azara (1730-1804), Marquis of Nibbiano, in three-quarter profile, seated at a wooden table and returning the viewer's gaze. The sitter's right arm rests on the table, and he holds a book in his right hand, his index finger inserted to mark the place. His left hand, partially cropped by the frame in the lower right corner, appears to be resting in his lap. Elegantly but simply dressed, Azara is wearing a deep blue justacorps with wide flaps, a yellow vest with red trim, and a white shirt, open at the collar. His brown hair is worn naturally, slightly curled in bobs above the ears, and his facial features are rendered with close attention to individualistic detail, including a broad forehead, fleshy neck, full lips and dimpled nose. Light enters the picture from the left, illuminating a grey background, which adds an illusion of depth to the picture despite the lack of any identifiable background details.The sitter, a friend of Mengs, was born to a wealthy Aragonese family and played an important diplomatic role in the court of King Charles Ill of Spain.

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