
Getty Museum
Abraham and the Three Angels
Creator
Master of James IV of ScotlandFlemish Illuminator · 1465–1541
All works by this person →Named for a remarkable portrait of the monarch James IV of Scotland in a devotional manuscript, the Master of James IV of Scotland was one of the finest Flemish illuminators active in the years around 1500. Over a period of more than forty years, the artist contributed to some of the most lavish and important manuscripts of the era, in addition to directing an active workshop. The illuminator's mi
More on Getty ULAN- Date
- about 1510–1520
- Medium
- Tempera colors, gold, and ink
- Culture
- Flemish
- Department
- Manuscripts
- Institution
- Getty Museum
- Object ID
- c09f73d0-421b-4f0c-becd-1717f21f655e
From the Getty Museum record
The miniature of the Old Testament story of Abraham and the Three Angels forms a pair with the Holy Trinity miniature across the double-page spread. Christian commentators understood the story of Abraham's encounter with the three angels as an Old Testament prefiguration of the Christian Trinity. The artist underscored this interpretation by giving the three angels similar facial features and just one halo. At the bottom of the miniature, Abraham, kneeling in prayer, greets his heavenly visitors. Latin words written in gold come from his mouth: *Ingredere benedicte d[omi]ne mi* (come in, the Lord who has blessed me). Above, Abraham serves his guests while Sarah eavesdrops behind a curtain on the right. Her weathered face betrays her age, emphasizing the miraculous nature of her conception of Isaac, which the three angels had come to prophesy. On the upper left, Abraham leads the angels on their way. Like the facing page, this page includes a frame painted to resemble an altarpiece and a block of text written on a piece of parchment illusionistically painted to look as if it is pinned to the page. Here the text of Psalm 50 continues from the previous page: *Et os meum annuntiabit laudem tuam* (and my mouth will declare your praise).
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