The Translation of the Bodies of Aimo and Vermondo; The People of Milan Praying at the Altar Where Aimo and Vermondo are Buried

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The Translation of the Bodies of Aimo and Vermondo; The People of Milan Praying at the Altar Where Aimo and Vermondo are Buried

Creator

Anovelo da Imbonate

Italian Illuminator · 1400–present

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An illuminator and possibly a panel painter, Anovelo da Imbonate worked in Milan at the end of the 1300s and the beginning of the 1400s. In those years, the wealth, international connections, and intellectual sophistication of Milan's ruling family gave rise to a flourishing artistic culture. One of the artists working for these rulers developed a version of the International style influenced by F

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Date
about 1400
Medium
Tempera colors, gold leaf, and ink
Culture
Italian
Department
Manuscripts
Institution
Getty Museum
Object ID
e96f73c5-bbe2-45d8-8f0e-2e6f7ae0bd99

From the Getty Museum record

The top scene on this page illustrates a procession accompanying the transfer of the saints' bodies from their original burial site to a new location, called a translation. This event was significant because it publicly proclaimed the sanctity and legitimacy of the relics of Saints Aimo and Vermondo. The devotees who are gathered around the tomb in the lower scene illustrate the belief that the faithful who came into close contact with the relics of the saints could benefit from their power.

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