
Getty Museum
The English Fleet in Flemish Waters
Creator
Master of the Getty FroissartFlemish Illuminator · 1475–1485
All works by this person →The anonymous artist known as the Master of the Getty Froissart has only recently been defined as a distinct artistic personality. The artist's name derives from the illuminations that enliven a copy of a text written by Jean Froissart now held by the J. Paul Getty Museum. A subtle handling of light, space, and color characterizes the artist's miniatures. Light-filled interiors reveal a persistent
More on Getty ULAN- Date
- about 1480–1483
- Medium
- Tempera colors, gold leaf, gold paint, and ink
- Culture
- Flemish
- Department
- Manuscripts
- Institution
- Getty Museum
- Object ID
- ea26e40c-bb08-438b-8b2a-7b45f82d8588
From the Getty Museum record
In this miniature from Jean Froissart's *Chronicle* , the illuminator presented a startlingly fresh image of the English navy anchored near the mouth of the Thames in Margate where they lie in wait to capture rich Flemish merchants and their goods. The miniature suggests the material power and readiness of the English navy. On a bare shore, a single tower with a banner stands beside three loaded ships. Their hulls extend in bulging curves, suggesting their great weight, and soldiers in full armor crowd the decks. The rolled-up sails indicate that their voyage has not yet begun, but it is clearly imminent. The artist rendered precise details of ship construction, including the enormous rudders, the intricate rigging, and the overlapping planks of wood that form the hulls. Conditions of weather and water also interested him: the lively waves breaking against the hulls have whitecaps, and the darkening clouds on the left indicate that a storm is brewing. The storm serves an additional function by alluding symbolically to the coming conflict of war.
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