Portrait of a Child

From the Getty Museum record

This child, probably a boy of early toddler age, is among the most sensitive portraits of very young children known in Roman art. Broken at the neck, the head would have sat on a full-length statue or a bust. Several features of this portrait are characteristic of Roman sculpture in the Antonine period (A.D. 138-192), such as the interest in observing personality, depicting movement, and contrasting textures such as the polished skin and the impressionistic rendering of the hair. The boy’s tight curls and some of his facial features have led some modern viewers to categorize him as a Black African, but given the lack of historical evidence (e.g., an inscription naming him) and non-physical markers of identity (such as clothing), the child’s ethnicity remains uncertain. The type and style of his portrait, however, are distinctly Roman. In fact, the hairstyle and the way the artist executed it, drilling hundreds of small holes into and between the curls, are common features of Antonine sculpture. Rather than being ethnic or racial indicators, the high spherical forehead, large eyes, and small, flattened nose are equally characteristic for the appearance of many infants and toddlers. Carved in white marble like most other stone sculptures, the boy’s appearance would have been enhanced by polychromy. As witnessed by mummy portraits on panel (e.g., [74.AP.11](https://www.getty.edu/art/collection/objects/7140/unknown-maker-mummy-portrait-of-a-bearded-man-romano-egyptian-about-ad-150-170/) and [73.AP.94](https://www.getty.edu/art/collection/objects/7081/unknown-maker-mummy-portrait-of-a-bearded-man-romano-egyptian-ad-140-160/)), paint provided artists the means to differentiate skin tone and other individual traits. No added color has yet been found on this portrait, but if detected, such evidence could inform the question of the child’s ethnic identity. The trend of capturing the nature of young age in sculpted portraits is linked to a novel practice of the Antonines, the imperial dynasty that ruled Rome during the mid- and late second century AD. At regular intervals they issued official portraits of young princes, such as Marcus Aurelius and Commodus, who were designated successors to the throne. These images were widely disseminated and imitated in portraits of private individuals like this boy.