
Minneapolis Institute of Art
Landscape in the Manner of Ni Zan
Yamamoto BaiitsuLinkedCulture matchlcp-95f503079354
- Date
- 1836
- Medium
- Fan, ink on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 117378
From the Minneapolis Institute of Art record
Copying old paintings and emulating ancient masters is a practice seen frequently in works by Japanese literati painters. One of the leading painters of his day, Yamamoto Baiitsu turned for inspiration to Ni Zan, a Chinese painter who lived 500 years earlier. Ni Zan was known for his distinctively sparse landscapes, which he created using sketchy brushwork and a relatively dry brush. His compositions often feature a foreground of lanky trees separated from far-distant mountains by a wide expanse of undefined water. Baiitsu skillfully adapted Ni Zan’s compositional formula to the folding-fan format by placing the foreground slightly left of center and then creating two separate mountain vistas, one at far left and the other at right. Asia
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Provenance & credit
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- Credit line
- Gift of the Clark Center for Japanese Art & Culture; formerly given to the Center by Mr and Mrs George Haldeman
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