
Minneapolis Institute of Art
The Jeweled Chaplet and Typhoon Chapters from the Tale of Genji
JapanLinkedCulture matchlcp-9cfc54f21d2c
- Date
- late 18th–early 19th century
- Medium
- Four-panel folding screen, ink, color, and gold on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 122092
From the Minneapolis Institute of Art record
Genji’s palace had four quadrants, each with its own seasonal garden and living quarters for a specific woman. Each quadrant, and thus each woman, was associated with a season: Murasaki, Genji’s favorite consort, was in the quadrant associated with spring; Akikonomu, an empress and Genji’s adopted daughter, with autumn; one of his lovers, the Akashi Lady, winter; and another of Genji’s lovers, the Lady of the Orange Blossoms, summer. This small screen shows two scenes, both of which take place at Genji’s palace and feature one of these women. In the right-hand scene, Genji and Murasaki gather in spring to examine robes laid out on lacquer trays to determine which ones to send to the other women of Genji’s mansion. At left, Genji’s son visits Akikonomu to check on her after a storm hit the palace one autumn night. Her young attendants set out insect cages near the flowering grasses in her garden. This screen’s mate, now missing, may have depicted scenes associated with the other two women residing at Genji’s palace, the Akashi Lady and the Lady of the Orange Blossoms. Japan, Asia
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Provenance & credit
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- Credit line
- Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation
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