
Minneapolis Institute of Art
Picture of Odai Matarokurō Setting His Own Castle on Fire, Calmly Entering the Fiery Pit and Dying; Enemy Troops Were Amazed at His Bravery
Tsukioka Yoshitoshi; Publisher: Tsujiokaya Bunsuke; Carver: Watanabe Eizō ILinkedCulture matchlcp-bcc6aa700c50
- Date
- 1866, 12th lunar month
- Medium
- Woodblock print (nishiki-e), ink and color on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 127805
From the Minneapolis Institute of Art record
In this fiery scene, “Odai Matarokurō” stands upright, as rigid as a statue, while dense flames engulf him from behind. His enemies fall backward as if pushed by the wind feeding the fire; others run away in fear. Although the rectangular cartouche at the upper right identifies the burning man as “Odai Matarokurō, ” he might in fact be Oda Nobunao, the husband of Oda Nobunaga’s sister. Yoshitoshi often used pseudonyms to circumvent government censorship; his depiction of certain historical figures and events could have been construed as supporting opponents of the Tokugawa ruler. Japan, Asia
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Provenance & credit
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- Credit line
- The Mary Griggs Burke Endowment Fund established by the Mary Livingston Griggs and Mary Griggs Burke Foundation, gifts of various donors, by exchange, and gift of Edmond Freis in memory of his parents, Rose and Leon Freis
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