Chinese Landscape after Huang Gongwang

Minneapolis Institute of Art

Chinese Landscape after Huang Gongwang

Shi Wenjing; Inscriber: Inscription on box by Gejo KeikokuLinkedCulture matchlcp-1a36523b73c4

Date
18th-19th century
Medium
Ink and colors on silk, hanging scroll
Department
Asian Art
Institution
Minneapolis Institute of Art
Object ID
136221

From the Minneapolis Institute of Art record

This monumental painting combines a variety of imagery associated with the prevailing idea of eremitism: the state of being a hermit and seclusion from society. One popular pattern associated with eremitism is known as “reclusion in a fishing boat.” In early Chinese literary tradition, the archetypal character of the recluse often reflected great wisdom but appeared as a humble man. Fishermen were often described in literature as wise recluses, who took the guise of a humble man. This idea inspired a type of composition called yuyin , sometimes translated into English as “fisherman-recluse” or “reclusion in a fishing boat.” The gentlemen shown sailing off along a mountain stream in this painting are certainly not fishermen but rather recluses. China, Asia

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Provenance & credit

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Credit line
The Marguerite S. McNally Endowment for Art Acquisition and the Shirley Mahowald and Henry Kinsell Endowment for Art Acquisition

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