
Minneapolis Institute of Art
Scholar, Crane, and Banana Tree
Zhang Fengyi; Chen Jiayan; Yuan Shangtong; Wu Ling; Wen Congjian; Shao MiLinkedCulture matchlcp-218cbbbd1edc
- Date
- 1630
- Medium
- Ink and color on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 5475
From the Minneapolis Institute of Art record
The importance of literati circles is emphasized in this collaborative 17th century painting. According to the inscriptions, the rendition of a scholar, crane, and banana tree was created as a gift for the scholar Xizhi by seven different literati artists. Five scholars have painted a separate element emblematic of literati values, signed their names and affixed their personal seals. The colophones were added by friends Wen Congjian and Shao Mi. The literaus is shown in typical Ming period scholars robe, enjoying nature in the presence of a crane, the Daoist symbol of longevity. Intellectual circles were very important to China's scholar class. Composed of highly educated government officials, teachers, writers, painters, poets, and philosophers, they were important social and cultural networks. Matteo Ricci was befriended soon after his arrival in China in 1582 by influential members of China's scholar class. The cartographer official, Wang Ban, and certain scholars of Guangdong were the first to suggest that Ricci make a map of his travels. Other scholar friends, including the officials Wu Zuohei and Li Wocun, the astrologer, Li Yingshi, and Xu Guangqi who worked with Ricci in translating the Confucian classics. These men respected Ricci as an intellectual, an accomplished man of science and letters, who they were willing to promote and invite into their circles. Asia
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Provenance & credit
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- Credit line
- Gift of Ruth and Bruce Dayton
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