Portrait of Sarah Allen, née Sargent

Minneapolis Institute of Art

Portrait of Sarah Allen, née Sargent

John Singleton CopleyLinkedCulture matchlcp-d9e28c1b7235

Date
c. 1763
Medium
Oil on canvas
Department
Arts of the Americas
Institution
Minneapolis Institute of Art
Object ID
593

From the Minneapolis Institute of Art record

Nathaniel Allen was a member of the new wealthy class in the mercantile and shipping business in Boston, and his wife, Sarah, was 34 at the time this work was painted. When commissioning portraits, successful American colonists wished to be portrayed in the manner of European aristocrats. This was accomplished by copying contemporary English portraits of ladies and gentlemen of fashion. Here, Copley adapted his composition from a mezzotint after William Hogarth's painting of Frances, Lady Byron. John Singleton Copley was the first great internationally renowned American painter. This work belongs to his most prolific period between 1762 and 1770, and coincides with the emergence of revolutionary ideas in Boston. Largely self-taught, he was the first full-time painter in the colonies. Excelling at capturing texture and surface details, Copley was also known for his uncompromising realism, giving the same meticulous attention to both psychological and formal details. With no attempt at idealization, Mrs. Allen is presented as a masculine-looking woman, appearing sturdy and confident as she daintily pulls on her glove. United States, Americas

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Provenance & credit

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Credit line
The William Hood Dunwoody Fund

Part of a LinkedCulture topic

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    Ancient Mediterranean Adornment

    These objects are personal ornaments and accessories from ancient Mediterranean cultures, primarily from the Greco-Roman period in Egypt and the Parthian Empire, showcasing jewelry-making techniques across multiple civil

    73 objects from 3 institutions

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