
Minneapolis Institute of Art
The Strappado (L'estrapade)--Torture
Jacques CallotLinkedCulture matchlcp-830fba3ae4b0
- Date
- 1633
- Medium
- Etching
- Department
- European Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 60261
From the Minneapolis Institute of Art record
The Miseries and Misfortunes of War (Les Misères et les Mal-Heures de la Guerre), a series of 18 small etchings by French artist Jacques Callot, grimly document the violence and degradation of war. Callot's native region, the duchy of Lorraine, was invaded by French troops in 1633 in response to siding with the Habsburgs during the Thirty Years War (1618–1648). The territory was decimated; troops looted, raped, tortured, and murdered the duchy's citizens. This print depicts men being punished for such crimes. At center, a public torture and execution by strappado is underway, the guilty party is shown suspended from a scaffolding by his wrists which are bound behind his back. Another soldier, depicted in the right foreground, appears to be waiting his turn. At left, four bound men are mounted on a saw-horse, another common form of torture. The inscription beneath the print reads, It is not without cause that great captains have well-advisedly invented these punishments for idlers, blasphemers, traitors to duty, quarrelers and liars, whose actions, blinded by vice, make those of others lax and lawless France, Europe
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of George W. Rickey
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.