Noblemen Viewing the Nunobiki Waterfall, Episode 87 of the Tales of Ise

Minneapolis Institute of Art

Noblemen Viewing the Nunobiki Waterfall, Episode 87 of the Tales of Ise

Attributed to Tawaraya SōtatsuLinkedCulture matchlcp-f5fc5f951803

Date
first half 17th century
Medium
Album leaf, mounted as hanging scroll, ink and color on paper
Department
Asian Art
Institution
Minneapolis Institute of Art
Object ID
8567

From the Minneapolis Institute of Art record

Tawaraya Sōtatsu, one of the founders of the Rinpa School during the early 17th century, was inspired by literary themes and painting styles from Japan's classical past. This album leaf illustrates a scene from the Tales of Ise (Ise monogatari) written around 950 recounting the life and loves of an unidentified gentleman, but probably loosely based on the courtier Ariwara Narihira (825-880). Thirty-seven leaves of this particular album by Sōtatsu and his studio are known. This leaf is the first of two that illustrate episode 87 in which a group of noblemen visit Nunobiki Waterfall, near present-day Kobe. One of the gentlemen, lamenting his low position at court, composed the inscribed poem by an unknown calligrapher: Which, I wonder, is higher- This waterfall or the fall of my tears As I wait in vain, Hoping today or tomorrow To rise in the world. (trans. Helen Craig McCullough) Sōtatsu portrayed the 10th century court nobles in a traditional manner using fine, even lines and stylized faces. He updated his composition, however, by using a technique known as tarashikomi, in which darker pigments are applied over still-wet lighter colors, resulting in softly mottled, abstract landscape forms. Asia

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Credit line
The John R. Van Derlip Fund

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