
Minneapolis Institute of Art
Fretwork panel
Designer: George Grant ElmslieLinkedCulture matchlcp-93e9e5a9cdbb
- Date
- 1913
- Medium
- Cypress wood, stain
- Department
- Arts of the Americas
- Institution
- Minneapolis Institute of Art
- Object ID
- 98519
From the Minneapolis Institute of Art record
The subtle exterior decoration of the Purcell-Cutts house includes a stenciled frieze below the roofline and two sawed-wood panels at the entrance. This cypress panel and its identical mate adorned the projecting beam-end near the front door. In 2005, to preserve them from the elements, they were removed to the MIA. The reproductions now installed at the house were painstakingly made—by means of laser technology instead of a fretsaw—following Elmslie’s original design (also shown here). The vine-and-leaf motifs are a foil for the strongly geometric exterior of the house. The motto “Gray Days and Gold, ” in the lower right corner, has been variously interpreted as referring to Purcell’s beloved grandparents William and Catherine Gray, to the colors of the firm’s progressive architecture, and to funds provided by Purcell’s father in support of the architectural practice and construction of the house. United States, Americas
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Bequest of Anson Cutts
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.