Art Institute of Chicago
Roger and Angelica Mounted on the Hippogriff
Antoine Louis Barye (French, 1795–1875)LinkedCulture matchlcp-b1baac4b3a16
- Date
- Modeled c. 1840, cast c. 1884
- Medium
- Bronze
- Culture
- France
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 102105
From the Art Institute of Chicago record
This bronze depicts a scene from Orlando Furioso, a chivalric epic from the Italian Renaissance that inspired artists well into the 19th century. In it, Roger, a knight, rides a hippogriff to save Princess Angelica, who has been chained to a rock to be devoured by a sea monster. Antoine Louis Barye captured the moment the heroes take flight, leaving behind the defeated monster with waves lapping around it. This sculptural group formed part of a decorative ensemble for a fireplace mantel, which was commissioned around 1840 by Antoine, Duke of Montpensier, the youngest son of King Louis Philippe of France. The composition was recast frequently during and after Barye’s lifetime.
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Provenance & credit
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- Credit line
- George F. Harding Collection
- Provenance
- George F. Harding, Jr. (d. 1939), Chicago, by 1939; bequeathed to the George F. Harding Museum, Chicago, 1939; transferred to the Art Institute, 1982; accessioned by the Art Institute, 1984.
Linked open data
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- Object type
- AAT300301253
Part of a LinkedCulture topic
French Animalier Bronze SculpturesThese objects are French bronze animal sculptures from the 19th-early 20th century animalier tradition, which specialized in realistic depictions of wildlife and domestic animals.
62 objects from 5 institutions
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