Art Institute of Chicago
The Expulsion of Adam and Eve from Paradise
Benjamin West (American, active England, 1738-1820)LinkedCulture matchlcp-6dfc1f4f3513
- Date
- 1791, retouched 1803
- Medium
- Oil on canvas
- Culture
- England
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 102227
From the Art Institute of Chicago record
This tumultuous scene shows Adam and Eve, the first man and woman in the Hebrew Bible, being driven out of the Garden of Eden. Benjamin West created it as a preparatory sketch for one of several large paintings intended for a chapel in Windsor Castle, an ancient seat of the British monarchy that was undergoing restoration in the late 18th century. West worked on the project for two decades, but King George III abandoned plans for the chapel’s decoration and the paintings were never installed. One of the earliest American artists to achieve international renown, West spent much of his career in London. There, he served as a teacher and mentor to a generation of younger American artists who trained abroad, including Rembrandt Peale and Thomas Sully .
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Provenance & credit
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- Credit line
- George F. Harding Collection
- Provenance
- Benjamin West (d. 1820); by descent to his sons, Raphael Lamar West and Benjamin West Jr.; sold Robins, London, May 22–25, 1829, no. 88, to Hayes for 43 gns [von Erffa and Staley 1986, p. 286, no. 233]. Possibly Henry Graves and Son, London [information on mount of a photograph at the Frick Art Reference Library]. Samuel Putnam Avery, New York; sold by Avery to Thomas B. Clarke, New York, by 1891; sold American Art Galleries, New York, February 14–18, 1899, no. 355, to Harry W. Watrous for $200 [von Erffa and Staley 1986, p. 286, no. 233]; Harry W. Watrous to at least 1922 [lent by him to the Brooklyn Museum exhibition 1922]; sold by Watrous to M. A. Newhouse and Son, St. Louis [letter of 15 April, 1994 from Joan Pope of Newhourse Galleries in curatorial file]; sold by Newhouse to George F. Harding, Jr. (d. 1939), Chicago, 1926; bequeathed to the George F. Harding Museum, Chicago; transferred to the Art Institute, 1982.
Linked open data
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- Object type
- AAT300033618
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