Portions of a Field Armor

From the Art Institute of Chicago record

During the late Middle Ages and Renaissance, some of the finest armorers worked exclusively for royal patrons in the workshops set up to meet their needs. In 1511 King Henry VIII of England established such a workshop at Greenwich Palace outside London, which produced outstanding armor for the English court for over a century. It was staffed largely by German craftsmen, among them Jacob Halder, who was master workman at Greenwich when this half-armor was produced around 1588–90. Made for a high-ranking nobleman, it features crisply decorated bands of etching and gilding and a silhouette mimicking fashionable dress. The shape of the breastplate, broad at the shoulders, narrow at the waist, and dipped at the belly, imitates the peasecod (peapod-shaped) cut of a gentleman’s doublet of the same period. Despite the lavish decoration and exaggerated shape, this armor, intended for the field of battle, was capable of withstanding musket fire. Indeed, it was commissioned in 1588, at the very moment England was preparing for invasion by the Spanish Armada. But to the fashionable noble who commissioned this harness, demonstrating wealth and status was as important as protecting life and limb.