Glaive for the Bodyguard of Markus Sittikus von Hohenems, Prince-Archbishop of Salzburg

Art Institute of Chicago

Glaive for the Bodyguard of Markus Sittikus von Hohenems, Prince-Archbishop of Salzburg

AustrianLinkedCulture matchlcp-89d12da365dd

Date
1589
Medium
Steel and oak
Culture
Austria
Department
Applied Arts of Europe
Institution
Art Institute of Chicago
Object ID
106512

From the Art Institute of Chicago record

Pole arms (staff weapons) were used not only in warfare and hunting, but also in sporting combat and ceremonies. The term refers to a family of edged weapons attached to wooden staffs. With the exception of the lance, which remained the weapon of the mounted knight, all other staff weapons were wielded by men on foot by 1600. With the development of firearms and their introduction as infantry weapons, pole arms lost their importance on the field, and from the mid-16th century, they were reserved for use in sporting contests and by princely bodyguards for ceremony and parade. The blades lent themselves to embellishment—engraving, etching, or other forms of decoration—and provided a perfect surface for the coats of arms of noble or princely families. The ceremonial use of staff weapons continues to this day with the Swiss Guards at the Vatican and Britain’s Yeomen of the Royal Guard.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.EpXcg6Mb8IdwsDWy.ka_lqVNIE8oyE3hG54tUJBADH7euDh-cWpz3xcd0m9dTBy5qePrVd5rUfxmnvBHNQKDQMkYNOlMxLKBIZZmiOTct2z7y4eZT8WQQdoqsTRT1JrjA8XqltpVqxTyecJKIa4StvvaMGfD5T5-Gmj5HIDKH3Zrg-GT5Fo38nqISQUUAqcnEwi4Ga0_O_QcEZ1LN916PJtDlQN9QMSKA9bx8sjpUukEHAaouJU9Kq8ilffDMvjyzftAK9KwLJxmwYUgHud3k5H8CeJt8JENM2qNwq1XsoHUsSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.18bmSnOVS00NICXP.JbRFNnJaMPavRQAYOcvtWv7EKHE2flGismE4U2LIL4pId-gJDhJZYPry_C7zsupQdi_c7gf-7VidqLkcEI5Vsja-W_7h_aLYxH8dk95qVwh3yjh_AzDt3b6PWghuByKUCAlfnFxTQ9wiu3tJglbzWRyudphcTr-ORa9H4g8JmtDwxkbZfzvXYjv54chI91QBIfoPM3Qihdf130W3xzUqPFgiWIr8v2M_omtzExXRes8zEMa9ir1PQHDrtj4LUu_GqtkJH66eH8gP-_zhMQdkD9_qAw
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
George F. Harding Collection

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300036926

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.