Art Institute of Chicago

Apollo on Parnassus

Marcantonio Raimondi (Italian, c. 1480-1534)LinkedCulture matchlcp-66752803a9f7

Date: 1517/20
Medium: Engraving on ivory laid paper
Culture: Italy
Department: Prints and Drawings
Institution: Art Institute of Chicago
Object ID: 107910

This Marcantonio Raimondi engraving after Raphael’s fresco in the Vatican Stanza della Segnatura was likely the starting point for the nearby Parnassus Profaned (2015.8). Although with the exception of Apollo, no specific gods or Muses are identified in either the Marcantonio print or the Raphael painting, mortal poets such as Dante Alighieri feature in both. In contrast, in Parnassus Profaned anonymity reigns. The inebriated, lustful poets and Muses tear off their laurel wreaths in a frenzy as they engage in pursuits significantly more earthly than theater, music, or poetry.

View at Art Institute of Chicago ↗

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page

See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line: Gift of Mr. and Mrs. Potter Palmer, Jr.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type: AAT300041273

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.