Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi Sangorô II as Minamoto no Yoritomo (Right) in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Miyoto-giku Izu no kisewata”)

Art Institute of Chicago

Actors Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (Left), Segawa Kikunojô II as Yuki Onna (Center), and Arashi Sangorô II as Minamoto no Yoritomo (Right) in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Miyoto-giku Izu no kisewata”)

Katsukawa Shunshô 勝川 春章

Date
About 1770
Medium
Color woodblock prints; hosoban triptych
Culture
Japan
Department
Arts of Asia
Institution
Art Institute of Chicago

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Object type
AAT300041273

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The Actors Arashi Sangoro II as Minamoto no Yoritomo (right), Segawa Kikunojo II as Yuki Onna (center), and Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki, in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

The Actors Arashi Sangoro II as Minamoto no Yoritomo (right), Segawa Kikunojo II as Yuki Onna (center), and Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki, in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

The Actor Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (?), in the Play Myoto-giku Izu no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1770

The Actor Ichimura Uzaemon IX as Kajiwara Genta no Kagetoki (?), in the Play Myoto-giku Izu no Kisewata, Performed at the Nakamura Theater in the Eleventh Month, 1770

Art Institute of Chicago

Actors Arashi Sangorô II asMinamoto no Yoritomo and Segawa Kikunojô II as the Snow Woman in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Myôto- giku Izu no Kisewata”)

Actors Arashi Sangorô II asMinamoto no Yoritomo and Segawa Kikunojô II as the Snow Woman in “Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums” (“Myôto- giku Izu no Kisewata”)

Art Institute of Chicago

The Actor Segawa Kikunojo II as the Heron Maiden in the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

The Actor Segawa Kikunojo II as the Heron Maiden in the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

Art Institute of Chicago

The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

Art Institute of Chicago

The Actor Segawa Kikunojo II as Yuki Onna (the Snow Woman) in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month

The Actor Segawa Kikunojo II as Yuki Onna (the Snow Woman) in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month

Art Institute of Chicago

The Actors Ichikawa Somegoro (right), Segawa Kikunojo II (center), and Bando Sampachi (left), in Unidentified Roles in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

The Actors Ichikawa Somegoro (right), Segawa Kikunojo II (center), and Bando Sampachi (left), in Unidentified Roles in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

The Actors Nakamura Sukegoro II as Matano no Goro (right), Onoe Kikugoro I as Soga no Taro (center), and Otani Hiroji III as Kawazu no Saburo (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

The Actors Nakamura Sukegoro II as Matano no Goro (right), Onoe Kikugoro I as Soga no Taro (center), and Otani Hiroji III as Kawazu no Saburo (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

The Actors Otani Hiroji III as Kawazu no Saburo (right), Segawa Kikunojo II as Princess Tatsu (Tatsu Hime) (center), and Nakamura Sukegoro II as Matano no Goro (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

The Actors Otani Hiroji III as Kawazu no Saburo (right), Segawa Kikunojo II as Princess Tatsu (Tatsu Hime) (center), and Nakamura Sukegoro II as Matano no Goro (left), in the Play Myoto-giku Izu no Kisewata, Performed at the Ichimura Theater in the Eleventh Month, 1770

Art Institute of Chicago

The Actors Nakayama Kojūrō VI as Hatchōtsubute no Kiheiji, Ōtani Hiroji III as Miura Arajirō, Ichikawa Yaozō III as Aku Genta Yoshihira, Sawamura Sōjūrō III as Komatsu Naifu Shigemori

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Actors Ichikawa Danjūrō IV as Kagekiyo and Nakamura Utaemon I as Seigen

Actors Ichikawa Danjūrō IV as Kagekiyo and Nakamura Utaemon I as Seigen

Minneapolis Institute of Art

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777

Art Institute of Chicago