Art Institute of Chicago

Salomé

Hans von AachenLinkedCulture matchlcp-90773b69505e

Date: 1605/10
Medium: Black chalk and brush and gray wash, heightened with touches of white gouache, over traces of charcoal, on cream laid paper
Culture: Germany
Department: Prints and Drawings
Institution: Art Institute of Chicago
Object ID: 111740

From the Art Institute of Chicago record

This late drawing reveals the melding of northern and southern Baroque influences that characterized the cosmopolitan court of Holy Roman Emperor Rudolf II (1552-1612). The drawing may relate to a painting of this subject, now lost, that was listed in the Emperor's inventory.

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Provenance & credit

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Credit line: Margaret Day Blake and Harold Joachim Endowments
Provenance: Cornelis Ploos van Amstel (1726-1798), Amsterdam, dry-stamp (Lugt 2034) verso. Hill-Stone Inc., New York [according to documentation in curatorial file]. Sold by Lutz Riester, London and New York, to the Art Institute, 1991.

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Object type: AAT300033973

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