Art Institute of Chicago
The Discovery (recto), Two Sketches of Standing Male Figures (verso)
Henry Fuseli
- Date
- 1767/69
- Medium
- Pen and brown ink and brush and brown wash, over graphite with traces of opaque brown paint (recto), graphite (verso), on cream laid paper, tipped onto ivory laid paper
- Culture
- Switzerland
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
This powerful drawing—a bravura exercise in virtuoso line and tonal washes—illustrates a story from Swiss theologian Ludwig Lavater’s book De Spectris (“On Ghosts”), published in 1569. It describes a priest who, dressed in a sheet, haunts his wealthy niece who is living in his house, in an attempt to rape her and cheat her of her fortune. Terrified, the niece enlists the aid of a friend who exposes the repentant priest. The curious badminton match visible in the background—not in the story, but added by Fuseli as a critical commentary—is a reference to a proverb composed in Latin by the Dutch poet Jacob Cats (1577–1660): Amor ut pila vices exiget , “Love, like a ball, demands reciprocation.”
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033973
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

Two Standing Male Figures (recto); A Man Reclining and Other Studies (verso)
Getty Museum

Hunting Scene (recto); Two Studies of a Pair of Reclining River-Gods (?), a Sarcophagus Front (?) verso
Getty Museum

Sheet of Sketches (recto)
Cleveland Museum of Art

The Invention of Drawing (recto); Sketch of Lower Leg Bones of Human Skeleton (verso)
Getty Museum
![Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]](https://openaccess-cdn.clevelandart.org/1939.670/1939.670_web.jpg)
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]
Cleveland Museum of Art

Cupid Overpowering Pan (recto); Head of a Monk; Caricature of a Man in Profile (verso)
Getty Museum

Various Sketches of the Madonna and Child (recto)
Cleveland Museum of Art
Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso)
Art Institute of Chicago
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Art Institute of Chicago

The Feast of Herod (recto); Tomyris with the Head of Cyrus (verso)
Cleveland Museum of Art

Young Woman (possibly a Sex Worker) with a Man (recto); Young Woman Wringing Her Hands over a Man's Naked Body (verso)
Cleveland Museum of Art

The Feast of Herod (recto)
Cleveland Museum of Art