Art Institute of Chicago
The Discovery (recto), Two Sketches of Standing Male Figures (verso)
Henry FuseliLinkedCulture matchlcp-51a294594c6f
- Date
- 1767/69
- Medium
- Pen and brown ink and brush and brown wash, over graphite with traces of opaque brown paint (recto), graphite (verso), on cream laid paper, tipped onto ivory laid paper
- Culture
- Switzerland
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 113496
From the Art Institute of Chicago record
This powerful drawing—a bravura exercise in virtuoso line and tonal washes—illustrates a story from Swiss theologian Ludwig Lavater’s book De Spectris (“On Ghosts”), published in 1569. It describes a priest who, dressed in a sheet, haunts his wealthy niece who is living in his house, in an attempt to rape her and cheat her of her fortune. Terrified, the niece enlists the aid of a friend who exposes the repentant priest. The curious badminton match visible in the background—not in the story, but added by Fuseli as a critical commentary—is a reference to a proverb composed in Latin by the Dutch poet Jacob Cats (1577–1660): Amor ut pila vices exiget , “Love, like a ball, demands reciprocation.”
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Provenance & credit
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- Credit line
- Purchased with funds provided by Frank B. Hubachek
- Provenance
- Probably sold by the artist's estate to Baroness Susan North (died 1837; née Coutts and later Countess of Guildford), Petersham Castle, England; by descent to her daughter, Susan, 10th Baroness North (1797-1884) [stamp (Lugt 1947), verso, center, in black; Tomory 1972.]; probably sold, Sotheby's, London, July 14-15, 1885, Baroness North sale [Lugt 1947]. Arthur Crossland, Bradford, Yorkshire; sold, Christie's, London, Mar. 9, 1956, Crossland sale, lot 4. Sold by Durlacher Brothers, New York, to the Art Institute, April 1956.
Linked open data
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- Object type
- AAT300033973
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