Art Institute of Chicago
The Fall of Babylon, from Illustrations of the Bible
John MartinLinkedCulture matchlcp-7bd2041c6c0d
- Date
- 1835
- Medium
- Mezzotint with etching in black on ivory wove paper
- Culture
- England
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 118031
The visionary Romantic painter John Martin’s Illustrations of the Bible (1831–35) boasts some of the most dramatic mezzotints of the 19th century. This series enthusiastically embraced J. M. W. Turner’s “historical” category from the Liber Studiorum (1807–1819). Yet “Mad” Martin eschewed Turner’s sepia tonality for a deep, velvet black periodically ripped asunder by lightning bolts. He engraved over 100 mezzotints, with special attention paid to the light and dark contrasts of Old Testament miracles and disasters. Although the series remained unfinished, his taste for elaborate destruction was sometimes well remunerated: when his gigantic oil painting Belshazzar’s Feast (1821; private collection) was put on view soon after being made, it attracted 50,000 paying viewers.
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Provenance & credit
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- Credit line
- John H. Wrenn Memorial Endowment
Linked open data
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- Object type
- AAT300041273
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