Love's Melancholy

Art Institute of Chicago

Love's Melancholy

Constant Mayer (American, born France, 1832–1911)

Date
1866
Medium
Oil on canvas
Culture
United States
Department
Arts of the Americas
Institution
Art Institute of Chicago

Constant Mayer specialized in sentimental scenes of everyday life yet he also displayed a fidelity to nature that harmonized with the detailed landscapes painted by contemporary artists known as the Pre-Raphaelites. The young woman’s black dress, solemn disposition, and wedding ring signal a state of mourning. A church steeple in the background symbolizes her faith and purity, while the vegetation and stonework in the foreground suggest that she stands near her loved one’s grave. The golden lighting, low vantage point, and the figure’s windblown hair contribute to the air of introspection. Executed just after the Civil War, Love’s Melancholy resonated with the American public, who likely came to know the painting through a color reproduction that was produced and distributed by 1869.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033618

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.