Art Institute of Chicago
Love's Melancholy
Constant Mayer (American, born France, 1832–1911)LinkedCulture matchlcp-fd6c986031f4
- Date
- 1866
- Medium
- Oil on canvas
- Culture
- United States
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
- Object ID
- 131884
From the Art Institute of Chicago record
Constant Mayer specialized in sentimental scenes of everyday life yet he also displayed a fidelity to nature that harmonized with the detailed landscapes painted by contemporary artists known as the Pre-Raphaelites. The young woman’s black dress, solemn disposition, and wedding ring signal a state of mourning. A church steeple in the background symbolizes her faith and purity, while the vegetation and stonework in the foreground suggest that she stands near her loved one’s grave. The golden lighting, low vantage point, and the figure’s windblown hair contribute to the air of introspection. Executed just after the Civil War, Love’s Melancholy resonated with the American public, who likely came to know the painting through a color reproduction that was produced and distributed by 1869.
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Provenance & credit
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- Credit line
- Purchased with funds provided by Mrs. Herbert A. Vance
- Provenance
- The artist, New York. S. M. Schafer, by 1876. Private collection, Long Island; D. Wigmore Fine Art, New York, by 1994; sold to the Art Institute of Chicago, 1994.
Linked open data
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- Object type
- AAT300033618
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