Art Institute of Chicago
Love's Melancholy
Constant Mayer (American, born France, 1832–1911)
- Date
- 1866
- Medium
- Oil on canvas
- Culture
- United States
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
Constant Mayer specialized in sentimental scenes of everyday life yet he also displayed a fidelity to nature that harmonized with the detailed landscapes painted by contemporary artists known as the Pre-Raphaelites. The young woman’s black dress, solemn disposition, and wedding ring signal a state of mourning. A church steeple in the background symbolizes her faith and purity, while the vegetation and stonework in the foreground suggest that she stands near her loved one’s grave. The golden lighting, low vantage point, and the figure’s windblown hair contribute to the air of introspection. Executed just after the Civil War, Love’s Melancholy resonated with the American public, who likely came to know the painting through a color reproduction that was produced and distributed by 1869.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033618
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

Melencolia I
Cleveland Museum of Art

Melancholy
Cleveland Museum of Art

La Mèlancolie
Cleveland Museum of Art

Memento Mori, "To This Favour"
Cleveland Museum of Art

Sweet Melancholy
Cleveland Museum of Art
Melancholy
Art Institute of Chicago

Melancholie
Minneapolis Institute of Art

Melancholic
Minneapolis Institute of Art
Elaine
Art Institute of Chicago

Lamentation at the Foot of the Cross
Getty Museum

Portrait of Catherine Grey, Lady Manners
Cleveland Museum of Art

The Promenade
Cleveland Museum of Art