Art Institute of Chicago
Study
James McNeill Whistler
- Date
- 1878
- Medium
- Lithograph in black ink with scraping and roulette work on ivory plate paper
- Culture
- United States
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
American by birth, Whistler had been living in London for almost two decades when he took up the medium of lithography. Here, in his first lithograph, Whistler returned to the subject of his 1873 etching. He depicted Maud in a similar pose, with her characteristic flounced dress and elaborate hat, but this time exploited the qualities of a different medium. He suggested the figure and shadows behind her in soft, greasy lithographic crayon, achieving a range of tonal effects that were not possible with etched lines.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Study: Maud Seated
Art Institute of Chicago
Study: Maud Seated
Art Institute of Chicago
Two Sketches
Art Institute of Chicago
Nude Model, Reclining
Art Institute of Chicago
Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler
Art Institute of Chicago
Early Morning
Art Institute of Chicago
The Toilet
Art Institute of Chicago
Study: Maud Seated
Art Institute of Chicago
Black Lion Wharf, from A Series of Sixteen Etchings of Scenes on the Thames (the "Thames Set")
Art Institute of Chicago

Square House, Amsterdam
Minneapolis Institute of Art
Yellow House, Lannion
Art Institute of Chicago

Study - Maude Seated
Cleveland Museum of Art