Plate ordered by Empress Catherine II of Russia

Art Institute of Chicago

Plate ordered by Empress Catherine II of Russia

Sèvres Porcelain Manufactory (1756–present)

Date
1778
Medium
Soft-paste porcelain, turquoise-blue ground, polychrome enamels, and gilding
Culture
Sèvres
Department
Applied Arts of Europe
Institution
Art Institute of Chicago

This striking plate is part of a dinner service commissioned by the Russian Empress Catherine II, called Catherine the Great (reigned 1761–96). The complete set of eight hundred pieces included sixty place settings, tea and coffee services, a centerpiece with figures representing the Arts and Sciences in biscuit (unglazed porcelain), and numerous architectural elements. The empress gave the commission to the Sèvres porcelain manufactory in mid-1776 through the Russian ambassador in Paris, commanding that it be “in the best and newest style”—what we call Neoclassicism. The plate is marked with the monogram E II (for Ekaterina, the Russian form of Catherine; she was the second queen by this name), surmounted by the Russian imperial crown and encircled by branches of laurel, sacred to Apollo, the Greco-Roman god of the arts, and myrtle, sacred to Venus, the goddess of love. The plates were further enriched by a turquoise ground that imitated the semi-precious stone, and rimmed with representations of Classical cameos, which Catherine collected. Profile heads alternate with scenes from ancient Roman history: King Numa Pompilius presenting laws to the Roman people; the soldier Mucius Scevola burning his own hand to show his contempt for the Etruscan conqueror, Porsenna; and the general Popilius Laenas confronting the Syrian king Antiochus.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300386308

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.