Mother Goddess Brahmani Seated in a Yogic Posture Holding a Water Pot

Art Institute of Chicago

Mother Goddess Brahmani Seated in a Yogic Posture Holding a Water Pot

NepalLinkedCulture matchlcp-b0908254126b

Date
13th century
Medium
Copper alloy
Culture
Nepal
Department
Arts of Asia
Institution
Art Institute of Chicago
Object ID
144905

This tantric Hindu female goddess is usually part of a set of seven mother goddesses (Brahmani, Vaishnavi, Maheshvari, Indrani, Kaumari, Varahi and Chamunda) called matrikas, but she is also revered as a goddess in her own right. The matrikas are the female shaktis (power, energy) of the male gods, and Brahmani is the shakti of the creator god Brahma. Like Brahma, she is typically shown with four heads (with the fourth one understood to be at the back), symbolizing omniscience, the four sacred scriptures (Vedas), the four castes, or the four time cycles (yugas) . As a sage or female yogi, she often holds a rosary, and a water pot (kamandalu), and she sits in the yogic pose with a strap (yogapatta) to hold her legs in position. In Nepal, she is frequently depicted as here, with one head and two arms, instead of the multi-headed and multi-armed versions of the goddess in India.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.VeRNgW00jUNjG_Ct.RzyYsx19SI-XWYT5A9qdd8YoNkM-9dFqzv_uBizT6lz0yi83T_SVdNjIPCIzmI-W9Uk3v5OkjN8_98Ks5QYoAwzhU_UaU4tTzes2qMLRvSsKgAiSM1cz1AXcT7XVohKdysNG7fcrd3ONS3HTTGBFrtkuqhL2kVGB0ujT7Lo5ZRV2ohUj8zmAoCE38Ly5FpWAs7OUY6l9KwlEgzD0Cr04Br1r69jhW1k4mxXe_J0pUt-3m3qRVWa-03kIScawv0cpEJbTWALfhNI0atb_kBPv3YFeeM4JSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.DzTCjtLZBR8L67zN.Z2NPenqPhWfg8DEmb1y-Lg_gim5aPj1YmSYRikd59xag1WtBYWV8slj74cedwDW7XxDVgwEy-yXjxGkmiVVtik92PTU39bo5h-WT-QJsIwNHBvyDvdal_oEo_L7BXZChO-knNquIjNclrfB0mS6IS6CfmF7UWsVW_DyzmbuvjvERjQlwT7TKUGRECelpofUQ2NLmhVqJpG8zswGvBaKWnrVG3C1U39cjpq8ZRAdRHZCsKjRtVBMYBV2dw4nc9sF7nOVBTftmtM1YLESU7lKtbsV_HA
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Marilynn B. Alsdorf
Provenance
Possibly with James Singer, London; sold to James W. Alsdorf (1913–1990) and Marilynn B. Alsdorf (1925–2019), Winnetka and Chicago, IL, Apr. 3, 1980 [receipt from James Singer, Apr. 3, 1980; copy in curatorial object file]; by descent to Marilynn B. Alsdorf, Chicago, 1990 [on long-term loan at the Art Institute of Chicago, Aug. 9, 1996; promised as a gift to the Art Institute of Chicago, 2002]; given to the Art Institute of Chicago, Nov. 19, 2014.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300301253

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.