Woman Reading

Art Institute of Chicago

Woman Reading

Édouard Manet (French, 1832–1883)LinkedCulture matchlcp-1088101e6ec3

Date
1880–82
Medium
Oil on canvas
Culture
France
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
14591

From the Art Institute of Chicago record

During the late nineteenth century, Parisian cafés were the gathering places of artists and writers and were ideal locations for observing the urban scene. Many Impressionist paintings depict the Café Nouvelle-Athènes on the rue Pigalle, where two tables were reserved for Édouard Manet and his circle—a group that included the painters Edgar Degas , Claude Monet , Camille Pissarro , and Pierre-Auguste Renoir , and the writers Charles Baudelaire and Émile Zola . At first glance, this fashionably dressed young woman appears to have been captured sitting at a favorite café: the marble tabletop, beer mug, and magazine attached to a wooden bar suggest such a setting, and her heavy clothing and kid gloves indicate that she is at an outdoor table and that the weather is cool. However, the floral background is actually one of Manet's paintings and the café a re-creation in his studio. Woman Reading is one of the most Impressionist of Manet’s images; the quick, free brushstrokes and light colors are characteristic of his technique late in his career. Painted only a few years before his death, this work admirably captures a fleeting moment, the sense of modern life that Manet and his contemporaries sought to represent.

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Open this page QR destination: https://linkedculture.org/q/q1.Xf4utuRqcmcBlFmv.TfskLdbLMA5zJjP_1cOkHyzd8ERdHz4cCgR4mLDXRjngo2Pk6-vpbdz8i-VkRLgXvpQEKak-3AslUum0pzxG2cjMb6l0YXYHjjrBI8amImNuDk_MXuYZTm804-SbIqg0go-82u6MgnBqpwNMA9Bt59uqfW-2LdY--8Bz6EINoQS0cr2kVGO8cIDwpmqGkzGx83CHqJilN8gyeT6tvl0FLmERKc1oL-ZW1g8g-fLXFsC3kFqd6x8GHwJKxYoG2eXKtFhw38awRxSo_bLU-MNP1D_1See at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.QA6NrQVIBPQe0S25.W0Dw6zqeFHAH5EF1ncSRqk1y3Th20LmYcUtaU13BFxzqntytY2POGkJXI-2BI-t3IWMzMkwGtiThEo5SdL9Pv8mRRfQeRSfzp41gELxk4kSsEY3nGyLbAhL8I29xuZB92fDKODw4KyDW0nh7WVgHQ4S493JLcVSKGhik0olZ--jpJG5fRSRD_Gx94A1mSMQWDW0x8eqKz62pACbEgcAzN7gAhvIwfcmoNjkG05tGEP3gOsKBiWoN1abnCC2urll5m0DzVfWtwafIc_86qwv_tw
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Provenance & credit

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Credit line
Mr. and Mrs. Lewis Larned Coburn Memorial Collection
Provenance
The artist; sold to Jean-Baptiste Faure (d. 1914), Paris, March 1882 [per Leenhoff, c. 1910, published online, fol. 81, https://gallica.bnf.fr/ark:/12148/btv1b10548955r]; by descent to his son, Maurice Faure (1862-1915), Paris, probably through 1928 [per Tabarant 1931, p. 341; according to Bernheim-Jeune exhibition label on the stretcher from 1928, the painting was possibly still with the family]. Possibly Galerie Bernheim-Jeune, Paris, 1928 or 1929 [per Allan, Beeny, and Groom, 2019, p. 303]. Howard Young Galleries, New York, by 1929; sold to Mrs. Lewis Larned Coburn (née Annie Swan, d. 1932), Chicago, 1929 [per Art News 27, 40 (Sept. 14, 1929), p. 12]; bequeathed to the Art Institute of Chicago, 1933.

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Object type
AAT300033618

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