Art Institute of Chicago
Allegory of War
Clement-Auguste Andrieux
- Date
- 1860
- Medium
- Pen and brown ink, with red and black fabricated chalks and opaque and transparent watercolors, with touches of lead white and white chalks, on cream wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Primarily an illustrator, Andrieux had a penchant for war imagery, a marketable subject in the late 19th century. Spurred by Napoleon III’s attempt to evict Austria from the Piedmont and convert Italy into a confederation of states headed by the pope, he created these drawings in which the personification of War lies across a heap of dead warriors as Death hovers above.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033973
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

Allegory of America
Minneapolis Institute of Art
Allegory of Death
Art Institute of Chicago
Allegory of Peace and War
Art Institute of Chicago

Napoleon at the Battlefield of Eylau
Getty Museum

Ceiling Study: Allegory of Peace and War
Cleveland Museum of Art

Allegory of War
Minneapolis Institute of Art
Allegory: Combat of Animals in the Presence of Man with Shield
Art Institute of Chicago
Civil War
Art Institute of Chicago
An Allegory of the Arts Vanquishing Time, Surmounted by a Medallion Portrait of King Stanislaw August of Poland as Patron of the Arts
Art Institute of Chicago

Return from Russia
Cleveland Museum of Art
Allegory of Love: Infidelity
Art Institute of Chicago

Allegorie op de oorlog en de kunsten
Rijksmuseum