Art Institute of Chicago
Villa in the Campagna
Jacques-Louis DavidLinkedCulture matchlcp-abacad3af207
- Date
- 1775–80
- Medium
- Brush and gray washes, over graphite, on ivory laid paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 149045
After several unsuccessful attempts, Jacques-Louis David finally won the highly coveted Prix de Rome in 1774. The award subsidized his first trip to the city in 1775 to study Classical art and architecture, a necessity for any ambitious painter of the period. Over the next five years, David absorbed and recorded everything he saw in hundreds of drawings, principally in black chalk, sometimes heightened with wash. He copied ancient Greek and Roman art as well as work by Old Masters such as Raphael, Correggio, and Michelangelo, and he studied the architecture and landscape of Rome and its surrounding area (often called la campagna , or the countryside). After his return to France, he assembled these sheets into two albums, which his sons, Eugène and Jules, later divided into twelve parts. The present sheet comes from the tenth album, which remained with David’s heirs until the 1950s. That David preserved the sketches from his Italian sojourn suggests the important role they played in his oeuvre, serving as a kind of visual encyclopedia of motifs and ideas. This sheet, like his other Italian sketches, fueled and invigorated David’s mature artistic production, underpinning the evolution of his signature Neoclassical style.
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Provenance & credit
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- Credit line
- Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
- Provenance
- Estate of the artist; Eugène and Jules David, paraphes (Lugt 839 and 1437) recto, lower left, in pen and brown ink; Atelier sale, Paris, April 17, 1826, lot 66, as Douze grands livres de croquis... (not sold); Madame David, until at least June 27,1826 [inv. after her death as Douze grands livres contenant des dessins & des calques Etudes de M. David en Italie]; David sale, Bonnefons, Paris, March 11, 1835, part of lot 16, as Douze grands livres de croquis; Paris, April 4–5, 1836, anonymous sale, part of lot 164, as Deux grands volumes in-folio...; M. Chassagnoles (David’s son Jules’ uncle), by 1860-at least 1880 [Cantaloube 1860; David 1880]. Jules David, Paris, 1882 [all preceding provenance according to Rosenberg and Prat 2002]. Marquise de Ludre (died 1956; David’s great grand-granddaughter), by 1930 [Cantinelli 1930]; by descent to her heirs, Marquise de Lau d’Allemans and Madame de Chaumont-Quitry, from 1956; sold by the heirs of the Marquis de Ludre to Germain Seligman (1893–1978), New York [Seligman fact sheet and Rosenberg and Prat 2002], his stamp (not in Lugt), recto, lower left, in black; sold, Christie’s, London, July 7, 1959, lot 45. Sold by R. M. Light and Company to Dorothy Braude Edinburg, August 1, 1978 [invoice]; given to the Art Institute, 1998.
Linked open data
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- Object type
- AAT300033973
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