Kettle

Art Institute of Chicago

Kettle

Sèvres Porcelain ManufactoryLinkedCulture matchlcp-ee31089ce69a

Date
1783/84
Medium
Hard-paste porcelain, brown ground (fond laque), black enamel, and gilding; silver-gilt and ebony mounts
Culture
Sèvres
Department
Applied Arts of Europe
Institution
Art Institute of Chicago
Object ID
151398

This kettle, made at the Sèvres porcelain manufactory outside Paris, illustrates a story recounted by the ancient Roman historian Titus Livius, known in English as Livy. In 390 B.C., when Rome was under siege, a plebeian (commoner) named Albinius was fleeing the city, transporting his family in a cart. He encountered the vestal virgins, the guardian priestesses of the sacred flame of Rome, who were escaping on foot carrying their ritual vessels. Albinius offered his cart to the priestesses, thus performing a noble deed exhibiting both piety and gravitas, or seriousness of purpose. The kettle is hard-paste porcelain, made from a mixture of kaolin (white clay made from broken down feldspathic rock) and petuntse (chinastone) that is glazed with powdered feldspar and fired at high temperatures (about 2372° F, or 1300° C). The porcelain is covered with a deep brown glaze, called fond laque (literally “lacquer glaze”) for its resemblance to lacquer. The painters at Sèvres developed this technique in about 1780. The figures, in matte gold and outlined in black enamel, are called figures étrusques (Etruscan figures) in Sèvres’ records, an allusion to the ancient vases that were so fashionable in the Neoclassical era.

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Credit line
Harry and Maribel G. Blum, Annette M. Chapin, Kay and Frederick Krehbiel, and Mr. and Mrs. Joseph Varley endowments; through prior acquisition of Richard T. Crane, Jr.

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Object type
AAT300386308

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