Art Institute of Chicago
The Baptism of Christ
Perugino (Pietro di Cristoforo Vannucci; Italian, 1445/46-1523)LinkedCulture matchlcp-d48345db92b4
- Date
- 1500–05
- Medium
- Tempera on panel, transferred to canvas
- Culture
- Italy
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 16197
From the Art Institute of Chicago record
These four panels , together with another one depicting the Resurrection (Metropolitan Museum of Art, New York), once constituted a predella—a series of small pictures, often narrative scenes, forming the base of an altarpiece. These predella scenes depict moments when Jesus’s divine nature was revealed: at his birth, at his baptism, during his conversation at a well with a Samarian woman, at his res-urrection, and through his appearance to Mary Magdalene after his resurrection. The painting that once surmounted the predella as the focal point of the altarpiece has not been identified.
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Provenance & credit
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- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
- Provenance
- Alexander Barker, London, by 1852 to at least 1857 [lent to London 1852 and Manchester 1857]; sold by Barker to William Ward (d. 1885), first Earl of Dudley, London, by 1868 [lent by Dudley to Leeds 1868]; sold Christie’s, London, June 25, 1892 (nos. 76-77, 79-80. The Resurrection, no. 78, was sold separately and is now in the Metropolitan Museum of Art), to Durand-Ruel, Paris and New York, acting on behalf of Martin A. Ryerson [according to letters from Durand-Ruel to Ryerson dated June 25 and 29, 1892 in the Art Institute archives]; sold by Durand-Ruel to Martin A. Ryerson (d. 1932), Chicago, 1893 [according to the bill of sale dated April 8, 1893 in the Art Institute archives]; intermittently on loan to the Art Institute from 1893; bequeathed to the Art Institute, 1933.
Linked open data
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- Object type
- AAT300033618
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