Art Institute of Chicago
Armida Abandoned by Rinaldo
Giovanni Battista Tiepolo (Italian, 1696–1770)LinkedCulture matchlcp-fed58860a502
- Date
- c. 1742–45
- Medium
- Oil on canvas
- Culture
- Italy
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
- Object ID
- 16492
The third scene from Giovanni Battista Tiepolo’s four-part suite of decorations , this painting shows the emotional climax of the story. The knight Rinaldo has been persuaded by his companions, Carlo and Ubaldo, to renounce the love of the sorceress Armida. Bareheaded and pensive, Rinaldo has taken up his shield again and appears to hesitate as the older knights gesture toward the boat that will carry them back to the crusader army and Armida implores him to stay.
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Provenance & credit
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- Credit line
- Bequest of James Deering
- Provenance
- Possibly one of four scenes from Tasso made for the 'gabinetto degli specchi' of the Palazzo Corner a San Polo, Venice [according to inventories and other documents discussed by Romanelli 1998]. Count Giovanni Serbelloni, Venice in 1838; by descent, until possibly 1886 [Molmenti 1911 and Knox 1978]. Giulio Cartier, Genoa by 1908 [Malaquzzi Valeri 1908]; Sedelmeyer Gallery, Paris, in 1912 [Ojetti 1912]; James Deering (d. 1925), Vizcaya, from 1913 [information sheet in curatorial file]; bequeathed, 1925.
Linked open data
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- Object type
- AAT300033618
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