Art Institute of Chicago
Rinaldo and the Magus of Ascalon
Giovanni Battista Tiepolo (Italian, 1696–1770)
- Date
- c. 1742–45
- Medium
- Oil on canvas
- Culture
- Italy
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
The fourth and final large narrative canvas from Giovanni Battista Tiepolo’s decorative suite stresses the moral of the story and takes place as Rinaldo rejoins the crusader army. The boat bringing the knight from Armida’s island has just deposited him on the coast of Palestine. The magician of Ascalon uses Rinaldo’s shield to conjure the heroic deeds of his ancestors, urging him to live up to their legacy. In contrast to earlier canvases in the sequence, the young knight appears focused on his mission. In his choice to return to battle, the figure of Rinaldo would have served as a positive example of civic duty for the family who commissioned these decorations.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Rinaldo and Armida in Her Garden
Art Institute of Chicago
Armida Abandoned by Rinaldo
Art Institute of Chicago

Rinaldo and the Mirror-Shield
Getty Museum

Rinaldo's Conquest of the Enchanted Forest
Getty Museum
Armida Encounters the Sleeping Rinaldo
Art Institute of Chicago

Rinaldo Abandoning Armida
Minneapolis Institute of Art

Rinaldo Abandons Armida
Rijksmuseum
Rinaldo and Armida
Art Institute of Chicago

Rinaldo wordt verliefd op Armida door toedoen van Venus en Cupido
Rijksmuseum

The Adoration of the Magi
Cleveland Museum of Art
Astolfo Sails off with Andronica and Sofrosina
Art Institute of Chicago

Taddeo Sent on an Errand by Calabrese's Wife
Getty Museum