The Flight into Egypt

Art Institute of Chicago

The Flight into Egypt

Abraham van Diepenbeeck (Flemish, 1596-1675)LinkedCulture matchlcp-dd76f524b3cc

Date
c. 1650
Medium
Oil on panel
Culture
Flanders
Department
Painting and Sculpture of Europe
Institution
Art Institute of Chicago
Object ID
16497

From the Art Institute of Chicago record

The flight into Egypt—a common subject in European art—refers to an episode in the life of Christ when his family fled King Herod, who sought to kill the infant Jesus. Abraham van Diepenbeeck made the theme his own by including an angel and the inquisitive cow at bottom right. This panel was not intended to be a finished painting; it is instead a grisaille (monochrome grey) oil sketch, which was then translated into an engraving. Collaborating with printmakers could be lucrative for painters while also providing an opportunity to advertise their artistry more widely.

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Provenance & credit

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Credit line
Gift of Mrs. Michael W. Straus in memory of Michael Straus
Provenance
Fondatie Terninck in the parish of Saint George, Antwerp, by about 1748, [with four other grisailles by Diepenbeeck according to De Bosschere 1910, p. 147, reprinting the manuscript description of Jacob de Wit from about 1748; see also Steadman 1982]; probably dispersed by 1767 [Steadman 1982]. Michael Straus (died 1943), Hinsdale, Illinois, possibly from 1893 [a letter of December 18, 1963 from his son Michael W. Straus to John Maxon states that his father had acquired the painting, then attributed to Anthony van Dyck, in connection with his role in the World’s Columbian Exposition of 1893, copy in curatorial file]; by descent to Michael W. Straus, Washington, D.C.; given to the Art Institute, 1963.

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Object type
AAT300033618

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