Art Institute of Chicago
Fishing off Scarborough
Winslow HomerLinkedCulture matchlcp-bcddaaacf48f
- Date
- 1882
- Medium
- Graphite and opaque white watercolor, with traces of black chalk, on medium weight, slightly-textured, tan laid paper with blue and red fibers
- Culture
- United States
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
- Object ID
- 16788
During Homer’s sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. Fishing Off Scarborough shows two young women and two fishermen in a coble as it slices through coastal waters. Carefully rendered in graphite, the figures and fishing boat stand in contrast to Homer’s spontaneous, abstract representation of clouds, mist, and spray done in opaque white watercolor . In addition to employing graphite to describe concrete objects, Homer used his pencil to suggest abstract effects, such as smoke rising from the steamship in the right background. Fishing Off Scarborough served as the basis for Homer’s 1883 watercolor, Returning Fishing Boats , which the artist completed after his return to New York from England.
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Provenance & credit
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- Credit line
- Mr. and Mrs. Martin A. Ryerson Collection
- Provenance
- Alexander W. Drake, New York, by 1911 [New York exh. cat. 1911]; sold to the Macbeth Gallery, New York; sold to Martin A. Ryerson (1856–1932), Chicago, June 1, 1917; given to the Art Institute, 1933.
Linked open data
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- Object type
- AAT300033973
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